At 82, Oscar-winning actor Robert De Niro is not backing down from his public feud with President Donald Trump. On June 3, 2026, during the opening night of the Tribeca Festival at the Beacon Theater, De Niro delivered pointed remarks about “monstrous leaders” who “are trying to force us apart for their own immoral, cruel and corrupt purposes,” pausing before adding: “You know who I’m talking about.” The line landed with the crowd, even though Trump’s name was never spoken aloud.
De Niro co-founded the New York festival in 2002 alongside Jane Rosenthal and Craig Hatkoff in the aftermath of the Sept. 11 terrorist attacks, with the explicit goal of revitalizing lower Manhattan and bringing audiences back together through cinema. Speaking on opening night, he contrasted that mission to “pull people together” with the divisive forces he sees tearing the country apart.
The festival, now in its 25th year, runs in venues across New York City. Rosenthal echoed the founding spirit on opening night, saying: “I only thought we were doing this once to bring people back to lower Manhattan, and I can’t believe 25 years later we’re still standing here.” The remarks came during the premiere of Ahmir “Questlove” Thompson’s documentary on Earth, Wind & Fire, after which the band performed live for a sold-out crowd.
A Decade of Public Clashes
De Niro’s public clashes with Trump stretch back nearly a decade. One month before the 2016 election, the “Raging Bull” star declared he would like to punch Trump in the face. In January 2017, accepting an honor at the National Board of Review’s gala, he called the new president a “jerk” and a “clown.” That May, while promoting “The Wizard of Lies,” he escalated again, declaring that “America is being run by a mad man” and comparing the president to “Colonel Sanders’ fried chicken.”
De Niro has variously branded Trump an “existential threat to our freedoms and security,” a “philistine president,” a “monster,” a “tyrant,” a “jerk” and a “clown.” For his part, Trump has repeatedly lashed out at De Niro on social media with increasingly heated rhetoric.
At a Tribeca Film Festival lunch event for journalists on April 18, 2018, De Niro delivered one of his most memorable lines, telling the room of reporters that their work was difficult enough “without being attacked by our low-life-in-chief.” He praised the press as “our saviors” and urged cultural institutions to “show that we’re open to ideas different than ours” — a refrain that echoed through his remarks on opening night.
The Cannes Speech and Continuing Resistance
The Tribeca speech also recalled De Niro’s most internationally watched political broadside, delivered on May 13, 2025, when he received an honorary Palme d’Or at the opening ceremony of the 78th Cannes Film Festival in Cannes, France. Accepting the award from Leonardo DiCaprio inside the Grand Lumière theater, De Niro labeled Trump “America’s Philistine president” and slammed his decision to appoint himself head of the Kennedy Center and to impose a 100 percent tariff on films produced outside the United States.
“In my country, we are fighting like hell for the democracy we once took for granted,” he told the Cannes audience. “That affects all of us here, because art is the crucible that brings people together, like tonight. Art looks for truth. Art embraces diversity. That’s why art is a threat. That’s why we are a threat to autocrats and fascists.”
The Cannes speech ended with a rallying cry to “organize, to protest, and when there are elections, vote.” That ceremony, hosted by French actor Laurent Lafitte, also paid tribute to politically engaged screen icons including James Stewart, Jean Gabin, Josephine Baker, Marlene Dietrich, Richard Gere, Isabelle Adjani, Taraneh Alidoosti, Rock Hudson and Adèle Haenel, and featured an appearance by Ukrainian President Volodymyr Zelensky.
No Signs of Softening
The actor has shown no signs of softening his stance during Trump’s second term. The Tribeca remarks came just days after De Niro squeezed in another barb at the president during one of the final segments of “The Late Show with Stephen Colbert.”
For De Niro, the message on opening night was that the cultural institutions he helped build remain a counterweight to what he sees as an administration hostile to the arts. Framing his criticism of Trump through that founding mission underscores the idea that art exists to unite communities rather than divide them.
And while he declined to name the man in the White House, the audience inside the theater — and the millions who would see the clip circulate online — understood exactly who was on the receiving end. Whether Trump responds publicly remains to be seen. History suggests he will. The two men have been trading verbal blows since before Trump’s first term, and De Niro, now well into his ninth decade, has shown no interest in stepping away from the fight.
